Wednesday, June 8, 2016

FAMILIAR FACES IN STRANGE PLACES

I left home on a Tuesday. Little Blue didn’t seem as full as perhaps she should be with the intent of spending a month on the road in New England on a tight budget. But I wasn’t lacking in flies, food, or camera gear. So what more do I need? The jury is still out on that ever-standing question, though it’s only Day 1.

    When I found Cape Cod for the first time in two years, she was covered in darkness. Traffic held me up in the bold points of Megalopolis, and I didn’t make camp before sunset, as was the intention. Oh well. It’s all part of it.

    I regrouped in the morning. Day 1, officially, and pointed Little Blue towards Buttermilk Bay of Buzzards Bay, on the eastern edge of the Cape.

    Buttermilk is an uncelebrated fishery, itself, but it drains the 4.5-mile spring creek, Red Brook, which flows south from White Island Pond through classic Massachusetts pine barrens. Every year, around the middle of May and early June, Red Brook is the seasonal host of alewives and blueback herring, both herring species that run up the river to spawn, and the water is thick with them.

    But herring is not why people come to Red Brook. Hidden beneath undercut banks, and nestled up tight to woody cover and watercress edges, fin the speckled beneficiaries of a great conservation success story.

Photo by Matt Reilly.
    I connected with one on the end of a delicate, tricky cast that floated through a tangle of trees and landed on the upstream edge of a watercress patch. In a flash of gold he darted out from cover and ate my Edison Tiger, fashioned in a vise weeks prior.

    A familiar face in a strange place, the small brook trout that came to quiver in my hand looked no different than any I had tricked from their mountain lairs back home. However, this fish’s life story is a bit different.

    He started his life as an egg in the slow, meandering Red Brook, but his childhood years were spent along the weedy banks of buttermilk bay, filtering saltwater, and feeding on small fish and crustaceans. In the creek, as a grown individual, he sits in wait for the chance to snack on a herring fry, as they, like their spawning parents, are thick in the river.

    Indeed, until recently, the “salters,” as they are called, of Red Brook were one of the last known populations of sea-run brook trout remaining, and like their Appalachian cousins, they too face adversity.

    Near the headwaters of Red Brook and White Island Pond is the town of Cranberry, aptly named, as the hub of a great deal of historical (and ongoing) cranberry farming. As a tool perceived to be ecologically harmless, Red Brook was dammed to flood acres of cranberry bogs.

    The dam spelled low and warming water on the downstream side, which made it impossible for coldwater species to thrive where they once had unhindered. Once the plight of the salters was discovered, a collaborative effort between Trout Unlimited, the Massachusetts Division of Fish and Wildlife, and the Trustees of Reservations got the dam removed, woody cover added to the streambed, and a regular stream monitoring protocol instated.

    Today, that stretch of river is managed under special regulations, and enjoyed by fishermen, birdwatchers, hikers, and photographers.


    There are other rivers like Red Brook, and all have fishable populations of salters that love to chew on streamers. If for some reason you needed to find me sometime in the next few days, you can be sure it’s somewhere under the branches, and within 40 feet of a watercress patch sliding flies to familiar faces.

*Originally published in the Rural Virginian

Wednesday, June 1, 2016

CRACKING CRANBERRY

Excitement and anticipation seemed to boil within us, warding off some of the chill and threat posed by a heavy, oppressive sky. Fog hung thick and low, and drizzle fell from it to soak the alpine crest of Black Mountain. Wind slanted it sideways and drove the chill deeper.

Photo by Matt Reilly.
    Just a day before, my brother, Phillip, and I toted backpacks peacefully into the heart of West Virginia’s Cranberry Wilderness, set up camp, and angled for sprightly brook trout along the middle reaches of the Middle Fork of the Williams River. But on the peak of Black Mountain, we stood another day into a weeks-long cold, wet spell plaguing the region, on the opposite side of the wilderness area, poised a few hundred feet above the Forks of Cranberry, with enough food in our packs to last us four more days. Donning waders and rain shells, we began sloshing our way down the mountain, ready for what the coming days would have in store.

    Research, travel to, fish, photograph, and report on notable fly fishing destinations throughout the East Coast—herein lies my job description, at least for a large fraction of the summer. It’s a tough life, but it’s my life, and I’ll deal with it as such. The Cranberry Wilderness was the first on my hit list, and did its best to invoke the fictional dread I attribute to this lifestyle.

    It hardly succeeded, though we made camp and fixed dinner in a steady, cold rain that second night, after a six-mile hike through mud puddles and downed hemlocks and spruces. The next morning—Day 3—we awoke to the peaceful sound of snowflakes stippling the tent’s rain fly. The air outside of the sleeping bags was harsh and raw.

    The gurgling of the North Fork of the Cranberry just outside the door prodded us along. Snow is at least gracious, as elements go, for not soaking you to the bone. We boiled water for coffee and shoveled in some form or another of dried oats, and exchanged sleepwear for waders and rain shells, once again.

    Existing information can’t seem to make up its mind about the state of the headwaters of the Cranberry River. Do a few internet searches, and you’ll find as many people talking about wonderful brook trout and wild trout fishing in the Forks of the Cranberry as you will naysayers yelling “dead river.” This, and because I refuse to propagate commonly rewritten, un-researched information in my writing, is why I wanted to devote several days to experiencing these rivers before writing about them.

Photo by Matt Reilly.
    Phillip spent the morning plying the runs and pools of the small North Fork with a fly rod and various nymph patterns, while my industry was achieved with a camera and tripod. Snow grayed my compositions until noon when, fishless, Phillip suggested what had been on my mind all morning.

    We gathered food and water bottles, stuffing what we could in our wader pockets, and began hiking downstream as the sky opened to reveal a comforting blue that had been absent since the beginning of the trip.

    Not a fish was seen in the upper or middle reaches of the North Fork, and so a cautious eye was held to the stream’s course as we wound downstream at the mercy of the foot trail. The story was static, all the way to the mouth.

    At the bottom, we encountered a water treatment station, equipped to dose the inflowing North Fork with limestone powder just a few hundred yards before its confluence with the South Fork—a sign suggestive of an acidified upstream ecosystem.

Photo by Matt Reilly.
    With the goal of netting a few fish before nightfall, Phillip waded into the main stem of the Cranberry River, just downstream from the confluence of its two headwater streams. I remained up on the cliff bank, shooting photos and giving instruction. A few casts in, Phillip nailed a stocky rainbow.
Photo by Matt Reilly.
    Our spirits were recharged that night, after a spirited walk back up the North Fork to camp, a strong fire, and a hot meal.

    The next morning, we high-tailed it downstream to the main stem. I did a quick study of the benthic macroinvertebrates in the South and North Forks, looking for signs of pollution-intolerant species—mayfly and caddis larvae—and found several. However, a few hours combined fishing on both forks yielded nothing from the North Fork, and two stocked rainbows and a single native brook trout from the South Fork. Not even a fin caught my attention in the former.


    Nevertheless, the latter half of the day we spent slaying chunky rainbows in the main stem of the river, having come to terms with the compromised system.

*Originally published in the Rural Virginian

Wednesday, April 20, 2016

CONQUERING MOUNT ROGERS--VIRGINIA'S ROOFTOP

There’s a reason moving mountains is used metaphorically in description of a miracle. The mountains we know are Mother Nature’s most concrete creations, formed from the movement of tectonic plates and the very ground we walk on. They were born before us, and will persist long after our short lives are through. The best are untamable, rugged, dynamic in attitude—wild, as all the best places are.

Photo by Matt Reilly.
    Mount Rogers is Virginia’s tallest, and arguably wildest mountain. Located in the heart of the 200,000-acre Mount Rogers National Recreation Area (MRNRA), the once-active volcano steeps over Southwest Virginia at an elevation of 5,728 feet, and serves as the crown jewel of the vastly foreign (to Virginia) landscape of the Grayson Highlands. 

    The peak is most popularly accessed via a 4.6-mile hike along the Appalachian Trail (AT) and a spur trail through Grayson Highlands State Park, the MRNRA, and Lewis Fork Wilderness Area. Scenery along the way includes grassy balds, rock outcroppings, caves, thick rhododendron forests, wide-ranging mountain vistas, a hemlock- and spruce-dominated crest zone, and the wild ponies that lend the Highlands even more unique flavor.

    It was a sunny, albeit slightly cold and windy, Saturday morning when the idea of surmounting the Old Dominion’s highest peak drifted into my mind. A relatively dry spring (thus far) was keeping the creeks running well below the seasonal average, keeping the need to go fishing at some kind of bay. 

    The week prior had been consumed pouring over topographic maps, planning a five-day backpacking trip to West Virginia’s Cranberry Wilderness. Thus my West Virginia preparations, along with the raw tone of a crisp spring wind, inspired visions of jagged peaks that couldn’t be ignored. Not when they’re so close. I announced my plans, and three friends jumped on board.

    To those tackling the Grayson Highlands for the first time during any season of the year, my advice is foremost to bring good, rugged shoes. Close behind is the warning to expect the high country to be twice as windy and 10 degrees colder than it is 3,500 feet lower in temperate Abingdon or Marion. 

    When I forced open the door of the car in the Massie Gap parking area in Grayson Highlands State Park, I was pleased to find the predictable air of adventure pushing back.

    To my friends, I announced the potential for a raw high country experience, shouting in contest with the wind, which was forecast to reach a maximum speed of 44 MPH. I found out later that gusts registered upwards of 60 MPH. The temperature sat firmly in the high 40s.

    Zipping on an insulated wind-breaking layer, I shouldered my 55-liter pack, loaded thoughtfully with overnight gear and backpacking essentials (for conditioning), and took on a few water bottles and snacks from my pack-less friends.

    Head into the wind, we began plodding northwest from the parking lot along the Rhododendron Trail.
Photo by Matt Reilly.
    A quarter mile into the hike, we crested an open saddle, vegetated with highbush blueberry bushes and the forms of about a dozen camera-wielding day-hikers. Grayson’s renowned wild ponies were the center of attention, as they grazed peacefully despite the attention. I snapped a few photos, and we moved on.

    An even mile into the hike, there is a crossroads and a cattle gate. As we did, day-hikers should bear left to pick up the AT. It’s at this point that the road gets rugged. Following the white blazes northwest is an exercise in rock-hopping, as a single misstep can make for a painful end to an otherwise enjoyable hike.

    For 1.9 miles, the trail maintains this character, leaving the state park behind and traveling over two notable passes, and offering several wide-stretching mountain vistas.

Photo by Matt Reilly.
    After 1.9 miles of the AT, the trail meets the boundary of the Lewis Fork Wilderness—one of four within the MRNRA. Here the trail takes a sharp left, and skirts the boundary of the more forested, coniferous wilderness area. The Lewis Fork of the Upper Fox flows north out of the ridge slope to the right.   

    In the next 1.2 miles, we encountered several more ponies at Thomas Knob, and enjoyed a windbreak in the form of spruce and hemlock trees that line the trail. Backpackers were plentiful, as fires are permitted within the wilderness area, and not in the state park.

Photo by Matt Reilly.
    After those 1.2 miles, the AT again takes a sharp left, and a spur trail proceeds straight to the peak of Mount Rogers. In a half mile, the trail leaves the open country behind, traded for thick, damp coniferous forest. It’s a remarkable sight, even in contrast to the wide open scenes further below.

The summit trail. Photo by Matt Reilly.
    At the end of the line, the ascent halts, and a rock ledge studded with a US Geological Survey cap marks Virginia’s highest point. 

*Originally published in the Rural Virginian.

Tuesday, April 5, 2016

BEFORE THE STORM

“I’m dropping out after today.”

    The declaration was one part joke, two parts intent, and escaped daily into a warm, bluebird sky from behind a bottom lip bit in collegiate compliance.

    Once you’ve invested years of tireless angling and observation, and compiled and analyzed a few thousand fish’s worth of fishing logs, you come to recognize Go-Time for what it is.

    It was Day Four of what was to be a week-long warming trend, and March’s winds were moving in response. Friday afternoon would see 75 degrees, and Saturday would bring a sharp cold snap—30 degrees and the possibility of snow. Local stream flows were double average from spring rains, and dropping slowly. In other words, it was Go-Time, and I knew it.

    With the looming reward of escaping to the mountains in search of big wild trout, I crammed my schoolwork into the dark hours, and shaved all unnecessary habits from my routine.

    Thursday afternoon found me speeding towards a Virginia mountain valley, eyes glancing nervously from the road towards the snaking creekbottom below. An eagle soared overhead—casting a shadow over the river’s course and the farm fields surrounding it in its lower reaches—it too content in the spring sun’s gaze.

    I found the water and realized a dream. Rivers—in their ideal state in my mind’s eye—run full and deep. From snow runoff, their runs and holes are highlighted an icy blue. Wonder and possibility are retained when the gravel of the streambed is not too visible. And so this river ran.
High spring water. Photo by Matt Reilly.
    Within these holes and runs and un-seeable gravel lots lies the year’s most promising opportunity to tangle with a big fish, for they find confidence in the slight discoloration, and large prey is disoriented in the chaos.

    Likewise, I tied on a large crayfish fly and worked my way upstream, methodically, keeping contact with the gravel and opportunity.

    Opportunity took me by surprise a few casts into the afternoon, when a sizeable brown snapped at my fly and released it in the same breath. An hour and a half later, opportunity returned with conviction, and ripped my fly into the undercut of a rock ledge. My Tycoon Tackle Scion throbbed under the pressure of a large flash, and a thick 24-inch wild rainbow initiated an adrenaline-soaked game of net tag downstream.

24-inch wild rainbow trout taken on a streamer in the mountains. Photo by Matt Reilly.

    Friday was a continuation in the weather trend, and the joke in my daily threat to abandon academic employment was further diluted with intent. The wind was raging harder; the sun, shining brighter. A storm was coming, and the front was shaping up to be a dramatic one.

    This time, I found the water slightly lower. The currents were calmer and the water clearer, though still rich with opportunity.

    Brown trout are homebodies, particularly in small mountain streams, and so I started the day with a hit list. Patiently, I placed my fly along the current seam of the first run, working my way upstream. 

    Redemption struck where she should have—in a pillow behind a large chunk rock in the streambed where she showed her face the day before—but held on, and rewarded me with 21 inches of wild butter-belly and shimmering bulls’ eyes.

About 20 inches of brown trout taken on a streamer in the mountains. Photo by Matt Reilly.

    It’s funny that fishermen yearn for redemption so avidly, and yet release her graciously once achieved. I was pondering this thought as I examined my tippet and discovered nicks that could cause me to lose another big fish, should I be so lucky. I retied.

    In the act of retying my fly, my focus shifted from my knot to the water in the background, captured by unexplained movement. My heart ricocheted about my chest, more than it would for any fish, when I quickly recognized the brown figure lumbering over the limestone streambed towards my wading boot as a hellbender salamander—18 inches of giant, beautifully adapted, rare salamander.
A hellbender salamander cruises the limestone streambed inches from my wading boot. Photo by Matt Reilly.
    With shaking hands, I reached for my backpack’s side pocket and squeezed my eyes tight in thankfulness for having remembered my waterproof camera. A few moments interacting with, and studying the awesome intricacies of the animal left my spirit enriched.

    God must have been smiling on me and rewarded my responsible stewardship, when granted redemption in that large wild brown trout, with more blessings; for the afternoon ran on, and more wild trout came to hand—approximately 40, with most being larger than 12 inches. The term “golden light” comes to mind—that moment of perfect elemental combination that results in a truly magnificent circumstance, as recognized by photographers and outdoorsmen, alike.



Photos by Matt Reilly.
    As I write this, the weather has turned stable; the water, low. I’ve hardly threatened to abandon my studies for the river, and my nighttime motivation has shrunken. The conditions are not prime for my mind to wander, but they will be again.

    
*Originally published in the Rural Virginian            

Tuesday, March 29, 2016

CHURCH

It is in this season of rebirth that church attendances spike across the country as the timidly church-going crowd makes a traditional pilgrimage—largely from supposed obligation—from the safety of an artificially sacrosanct modern routine, to the pews, to celebrate the foundational event of the Christian religion. Inevitably, as suddenly as this seasonal devotion emerged, it retreats into a criticized abyss. Regulars among the pews come to associate a negative connotation with the “Easter crowd,” and discussions emerge over the importance of weekly church attendance in the lifestyle of the faithful. I can’t help but think something is missing.

A storm parts over the Grayson Highlands. Photo by Matt Reilly
    My own church attendance is irregular. I don’t go every week, and I’ve skipped a few Christmas services in recent years, but I don’t feel I’ve missed anything. I don’t feel a distance from God.

    After a childhood of returning weekly to the church building I grew up in, around the time that some of my teenage friends began disappearing from the aisles as they began to make decisions about their beliefs for themselves, I underwent a similar discovery. I began to abandon the building and the sermons for a more natural approach—for hymns sung by songbirds and flowing water, salvation offered in a sunrise.

    Though I perhaps knew all along, and did what was most pleasing to my being, I didn’t tackle the question of the reason for my faith until rather recently. It seems—at least it did, to me—an irrelevant question when you’re content, but one that could be enriching to have the answer to worked out, nevertheless.   

    The people of the world, throughout time, have had faith and developed belief systems because of an innate desire to explain the world around them and answer the questions for which there are no empirical answers. I am no different.

    Religions, factions, and denominations emerge to surround different cultures and serve as a standard of beliefs for the faithful public. But the act of faith is personal, and speaks to us in the most personal of ways.

    For me, that way is through nature and through words. I am a romantic person, yes. I can be emotional. But if you've ever defied metaphorical gravity or felt a warmness in your soul sparked by the sight of a voluminous freestone river barreling through a maple gorge ablaze by the dying ember of autumn, or teared up to the tune of a flawless line, a timeless, nostalgic anecdote filled to the brim with old world tradition and wisdom, you may have a similar kind of faith as I.

    These are the things that I find to be beautiful—supernaturally, unbelievably beautiful. For these things I can perceive no possibility of their coming about by chance, by some stupendous, spontaneous cosmic happening, even if succeeded by millions of years of evolution, fine-tuning, and settling.

    In the beauty of these things, I hear God’s words, as they spill from the mountains and the lowlands and the trickling hollows, and I think them as I hear them. As I think these things, I conclude that I am of them, and as such, don’t find loneliness, but purpose and inspiration.

    As somewhat of a rambler, I recognize these words as the same that speak, and have spoken, to those of a similar faith as I—the same words that have inspired great works and thoughts, all just meager attempts to transcribe the words that come. In this I recognize that when my last track has been pressed and my last word written, I will go home to the mountains, the lowlands, and the trickling hollows. These words will remain, while my thoughts become their words; and their words, the thoughts of my gone-home contemporaries.

    All of this from a mere question of faith, a thoughtful departure from the cultural, comfortable, church-going experience? Through the countless personal church services I’ve enjoyed in my time, I’ve encountered many an evening, and every sunset asks the same question: “How have you lived?” I hope you can smile in answering.


    Church is not a building. It’s an experience—taking a break from the chaotic flux of everyday life and surrendering control of your heart, mind, and soul to something bigger than ourselves. I find it in nature.

*Originally published in the Rural Virginian

Tuesday, March 15, 2016

NIGHTTIME IN THE SWAMP

Swamps never really go to sleep; they only wake up.

Campfire in Dragon Run Swamp. Photo by Matt Reilly.
    I was a few paddle strokes into one of Virginia’s own when this thought came to mind. I could feel it.

    The aroma of black swamp water--of cypress and tannin--burned like incense as a fiery sun yielded to the chill of night over Northern Neck farm fields, behind a labyrinth of crowns and tangles.

    Noises grew as their sources disappeared under cover of darkness. Red-winged blackbirds whistled gurgling shrills in staggered succession. A choir of spring peepers, and its baritone bullfrogs, sounded off eternally. Dragon Run, trickling audibly as thick roots and channel tighten its course, rounded out the background.

    A blue heron made its last flaps of daylight across the landscape, breaking limbs, pushing air, and emitting a raspy squall as it found a roost in a cypress crown. Odd screams--from bobcats, foxes, or something else altogether--broke the rhythm, but went unquestioned, as part of the age-old awakening song that commences every day as dusk turns out the lights.

    The horizon blazed orange, and I intended to keep it alive as long as possible, but craved nightfall. With a heavy-footed boot, I carved out a wide circle in the leafy understory—six feet wide, about. With a strong stick, I dug a shallow pit into the dirt--through humus, mud, and veiny roots—just two feet wide, enough to harbor a modest pile of sticks.

    It didn't take long, or much roaming, to ascertain a healthy collection of wood—twigs and branches of increasing thickness. Each size went into its own pile, ready for application. From an undisturbed site, I took handfuls of leaves from the floor—dry ones, untouched by the dampness of the swampy ground. In an airy ball, they represented my last ditch effort to retain light, with the sun gone, light fading quickly.

    A match brought it back, slowly. It caught as a glowing edge on the finger of an oak leaf, smoked, smoldered, and grew to engulf the pile. One by one, I added small twigs, then larger ones. As the flame gained strength, I invested a pile of arm-thick branches, leaning them to rest against each other over the blaze, hopefully to catch, and keep the light on.

    But the swamp is old. The wood that was readily accessible was punk—rotten, flaky. It burned through in minutes, making upkeep a chore. It was a happy chore, though.

    Fire has long been a symbol of civilization, of life—the only thing that sets humans apart from animals. It grants hope and comfort. A fire illuminates more than just the night.

    If ever there was an old-world essence surrounding my activities, it disappeared the moment I bit into an imported mango. Dinner was finished off with a handful of cashews.

    After a final fueling of the fire, I lashed rope to two old oaks, and hung a hammock, from which to become, with the fire, the only thing fading away in the swamp.


    For the time, the fire granted enough light to read by--A River Runs Through It, Norman Maclean's masterpiece--and the shadows it cast made the plot all the more dramatic. In the swamp, a river runs through the forest—is the forest--save for a few firm spots where the oak trees grow—a long way from the glacial canyons and bustling logging camps of western Montana. Maclean probably never saw the likes of a southern Virginia cypress swamp, but the drama, and the haunting, he knew is rich here, too.

*Originally published in the Rural Virginian.

A CHILDHOOD STORY: LATE WINTER BASS WINDOW

Every year, as winter fights a losing battle with the advances of spring and natural rejuvenation, Mother Nature’s actors stage for the opening act. Upon spring’s minor victories, the mercury ascends—into the 50s, 60s—and some of my favorite actors, in an aqueous, farm field gem, begin their own ascent.

    These charismatic, southern sporting phenotypes begin undergoing changes as water temperatures approaches 50 degrees. Their metabolisms ramp up. They’re inspired to move, to chase, and to earn energy in ambush games with larger and larger prey. More importantly, they experience a change in attitude—from the idle survivalism of the winter doldrums, to the procedural excitement of reproduction.

    The males move first, from the thermal refuges of deep water, finning the ridges of points, towards warming shallow-water spawning sites.

    As the sun beats down on the sparkling water, these shallow spawning flats become the most attractive habitat to awakening bass—but only by temperature. The rest of the set is a skeleton of its unhampered essence. Lily pads, bullfrogs, tall grass, dobsonflies—all are holding off for the security of the warmer months.

    Grasses, though, are on the way. When the right water temperature is achieved, they begin to sprout from the pond floor, and play an important part in the story that I have come to know.

    The ambient air temperature continues to fluctuate—from the high 30s to the low 70s—throughout the end of February and beginning of March. Likewise, competing warm and cold air masses created by the periodical warming of the Earth, and the subsequent radiation into the air, bring the lion out in March. She rages on almost every day, particularly the warm ones, representing the final variable in the annual production I’ve acquainted myself with.

    Humans are creatures of habit too. Outdoorsmen, I like to think of as seasonal junkies. Every week of the year can be designated a particular pursuit (or faction of a pursuit) that is ripe for the time. The late winter window, in which all of the aforementioned variables coexist, is one of my personal favorites, which has come to be acknowledged as “The Weekend”—for big, early season bass—by some of the more fervent of my fishing companions.

    It was my father who first introduced me to this happening, on a warm, windy day in March on the farm pond I return to every year, before I had become a full-fledged teenager.

    A bottleneck is formed by two facing points, which mark the transition between the main-pond and the shallow coves on the insides of the points. The area between the points is a kind of flat—shallow, littered with a few well-known stumps, and, in the late winter, tufted by the beginning efforts of lake weed. Moving deeper into the coves, the water becomes shallower, creating a gradient of heated water and, in following, grasses.

    On that inaugural March afternoon of my childhood, the wind was roaring parallel to the points—from the west, right into the face of the dominant point.

The author's father with a healthy late-winter bass. Photo by Matt Reilly.
    “Wind from the west, fishing is best,” they say, but this is sounder science. By the will of the wind, the food chain was moved into the grassy flat between the points. First, phytoplankton. Then, baitfish. Then, predators. It was all explained to me before the first cast, and I believe it was on the first that my father stuck a respectable largemouth of about five pounds.

    Looking back, I am excessively proud, and thankful, of my father for that moment of genius.
Since, I have taken many a fish, always returning to the same setting, chasing the same memory, with the ambition of having a brush with an early-season trophy.

    Indeed, the pattern has produced well, over the years, resulting in several fish over five pounds and up to 10, by student-friends, myself, and others. This story is a testament to the dimension of fishing that is all too often dismissed, and that is hardly quantifiable by one who does not practice it and know its benefits—that is, observation and critical thinking.


    These days, I don’t get to watch that childhood story play out in front of me, often. The farm ponds of those years I left behind in search of an education. Still, change is in the air, and it brings memories to mind, which might compare for enjoyment. Then again, perhaps it’s merely the continuation of that story I’m after every year, on the bank of that farm pond, chasing fish I caught long ago. Perhaps nothing is lost.

*Originally published in the Rural Virginian