The most devoted of anglers understand that fooling fish
into fulfilling the biological process of feeding under the weak premise of a lure
or fly is an art, and consider themselves artists of the rustic,
self-sufficient breed. Thus, tackle
craft is a unifying factor in many of the sport’s top competitors and
professionals. Settling for the
commercially-available rarely provides an angler an edge over others of like
pursuits.
Such was the reasoning of Fluvanna County resident, Chris
Graham—a lifelong outdoorsman and tinkerer.
“My passion has always been fishing and then hunting. My grandfather took me fishing as a kid and
bought me my first rod and reel. I grew
up on the New River fishing with my parents below Claytor Lake Dam in Southwest
Virginia,” he said. “I originally
started pouring and hand-tying my own jigs, trying to get an edge that everyone
else didn’t have in tournament fishing.”
When his kids went away to college in recent years, Graham
was introduced to another aspect of tackle craft via a video entitled Crankbait Painting: The Basics by Amistad Tackle. After acquiring a Paasche VL airbrush system
and an air compressor from a printing press, courtesy of local angler and
mutual friend, Sam Clarke, Graham began tackling the learning curve associated
with his new hobby.
Two taped bluegill-patterned Graham Crankers after painting. Photo courtesy of Chris Graham. |
A white-bellied crayfish pattern. Photo courtesy of Chris Graham. |
Graham, who now operates his hobby under the business name
“Graham Crankers,” paints and sells what he calls “repaints,” usually store-bought
crankbaits that are old or that feature patterns that just don’t trigger the
desired strikes from fish.
With a store-bought lure in hand, Graham begins his process
by removing the split rings and treble hooks from the wire harness. Next, the hard body is rinsed in soap and
water, dried, and sanded lightly with 220 grit sandpaper to allow the paint
stick. The bill of the crankbait is then
taped using masking tape, to prevent paint from speckling the bill. Finally, a coating of white (or another base
color) spray paint is applied to the body and heat set with a hair dryer. This helps to cover the original
pattern. With those steps completed,
Graham begins working his airbrush magic, laying out a new pattern.
The bill of this crayfish pattern was first covered with masking tape before Chris put his airgun to work. This keeps the bill from getting "speckled" with paint. Photo courtesy of Chris Graham. |
“The learning curve can be very trying,” Graham admitted. “The whole process can be a little lengthy,
and time passes quickly without a lot of results. I quickly learned that when things aren’t
going right, it’s best to clean your airbrush and put your paint away. It can get a little expensive when you keep
spraying and don’t get the desired result.”
Simple shad color scheme in a variety of body styles. Photo courtesy of Chris Graham. |
Baby Bass Graham Cranker. Photo courtesy of Chris Graham. |
“Patterns have come
from trial and error (shop to water), along with using some of the tried and
true patterns from fishing’s past,” Graham said. “As I look back through some of my rejects, I
find out just how bad they look. At the
time I was proud of them, but when I look at them now they look like a 5th
grader painted them.”
Today Graham produces and sells several patterns as standbys
but continues to experiment. Though he
does make money at his game, he maintains that Graham Crankers is a hobby for
the moment, and something he enjoys doing.
“It has created a lot of conversations that have inspired me to create
and repaint crankbait patterns that can no longer be bought in the store,” he
said.
A citation Virginia largemouth taken on a Graham Cranker jerkbait by local angler, Sam Clarke. These lures produce! Photo by Sam Clarke. |
Can’t find the old standby pattern you remember fondly from
your childhood? Give Graham a ring,
check out his Graham Crankers Facebook page, and join the family!□
Originally published in the Rural Virginian
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